VIEW IN MY ROOM
Germany
Mixed Media, Digital on Paper
Size: 23.6 W x 39.4 H x 0 D in
Ships in a Tube
Shipping included
14-day satisfaction guarantee
Artist Recognition
Artist featured in a collection
Somewhere in between model drawing and other crazy stuff I've created this work during one of my regular nude drawing sessions in my Hamburg studio. I'd like to call if one of my Man Ray experiments, setting/framing an observation of a simple model pose, creating the “subjective more” with the fine delicate black and white lines (just a few, less is more) and the massive white, transparent, blocks. The massive amount of grey is key here, connecting the white and black lines and also softening the massive white blocks. Grab it if you can! definitely one of my best .
Mixed Media:Digital on Paper
Original:One-of-a-kind Artwork
Size:23.6 W x 39.4 H x 0 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships Rolled in a Tube
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships rolled in a tube. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
Have additional questions?
Please visit our help section or contact us.
Germany
On the Artist Hi, my name is Peter Heuvelmans, a Dutch visual sculpturer in Oil/Acrylic Painting, Ink Drawing and Digital Media. I guess I’m more of a drawing artist than a painter but I don’t give much weight to that differentiation. Does it matter? In model drawing I prefer the short 3 to 5 minutes poses. Normally I use two thirds of the time just to observe and one third to capture and create in -ideally- just one or two drawing movements. Fluid are the model’s moves, and the drawing process should match that. That’s why I use a simple bamboo pen and black ink to create something as fluid and irreversible as the model pose: after minutes its gone and fades away to never return in the exact same setting and light. But the ink drawing captures that moment and carves it in stone. In landscape painting I’m a great fan or the Chinese/Japanese approach to landscape painting: no central subject or perspective, but “an open invitation to the viewer to jump in and experience nature on a subjective way”. In other crazy stuff I like to create Man Ray experiments, setting/framing observations, creating the “subjective more”.
Artist featured by Saatchi Art in a collection
Thousands Of Five-Star Reviews
We deliver world-class customer service to all of our art buyers.
Global Selection
Explore an unparalleled artwork selection by artists from around the world.
Satisfaction Guaranteed
Our 14-day satisfaction guarantee allows you to buy with confidence.
Support An Artist With Every Purchase
We pay our artists more on every sale than other galleries.
Need More Help?