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Guernsey
Painting, Oil on Wood
Size: 15 W x 19.7 H x 1.2 D in
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Highly textured oil portrait on primed wooden panel I'm intrigued by how the physicality of paint can transform a subject to reveal a deeper emotion and presence. The paint takes precedence over representation. I'm interested more in the materiality and texture of paint itself and the ambiguity this creates rather than trying to depict a physical likeness of a subject. For me, the textures make the portrait feel more alive. The subject appears somewhat in flux, constantly changing which relates more to human experience.
Painting:Oil on Wood
Original:One-of-a-kind Artwork
Size:15 W x 19.7 H x 1.2 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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Guernsey
Jean-Luc Almond is a British artist who received his BFA in 2013 from the City & Guilds of London Art School. His paintings have won various awards, including The Cass Art Commission of the National Open Art Competition, Somerset House and The Best Painting Prize at the ‘Injustice’ Open Art Competition, La Galleria, Pall Mall, judged by esteemed art critic, Edward Lucie Smith. He has been featured as a Saatchi Art 'One to Watch' and in the '20 Emerging Artists to Buy Now' Collection on Saatchi Art. His work is exhibited internationally. Notable exhibitions include Start Art Fair, Saatchi Gallery, SCOPE Basel, Switzerland, The Other Art Fair and The London Art Fair. Collections of interest include Mark Cass- CEO and founder of Cass Art, Tony Elliot, founder of Time Out Magazine, Sandstorm films- UK and Arte Al Limite- Chile. Among Jean-Luc’s influences is Victorian photography. His paintings are constructed through the processes of creation and destruction, damage and repair. Jean-Luc is obsessed with the materiality and texture of the paint itself. He embraces the transformations that take place when he is no longer a slave to the image and the painting becomes more about the paint and the surface. A certain tension exists within the thick surfaces of his paintings, as paint takes precedence over representation.
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