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United Kingdom
Painting, Acrylic on Wood
Size: 96.1 W x 48 H x 2 D in
Ships in a Crate
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Multi-paneled Painting:Acrylic on Wood
Original:One-of-a-kind Artwork
Size:96.1 W x 48 H x 2 D in
Number of Panels:2
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:United Kingdom.
Customs:Shipments from United Kingdom may experience delays due to country's regulations for exporting valuable artworks.
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United Kingdom
Working with a multi-disciplinary practice, across painting, printing, needlework, weaving, collage and 3D scanning, I converge historical references from analogue and digital archives: assembling, layering, painting and un-painting. My work addresses the lingering presence of the past within the present, examining constructs of our contemporary condition as punctuated by anachronism, contradiction and multi-temporality. The merging of English and Greek-Cypriot cultures of my genealogical background has, undoubtedly, shaped my assemblage based approach. Reproductions from books on prehistoric Britain, Ancient Greece and Rome, Baroque ornament, the arts and crafts movement float amongst the vestiges of Modernist and contemporary motifs, digital clip art and analogue stock imagery from printers’ catalogues. These images and processes are linked by my pre-occupation with loss, redundancy and the ruin in visual culture, with an emphasis on the collapsing of hierarchies. Screen-printing, photocopiers and analogue projectors are used as much for their visual qualities as for their inherent ability to produce failures. The reproduced image is once again scanned, photocopied and digitally edited and so subjected to a kind of entropy, highlighting the contradictions and failures of our times. I subvert the intention and precision of 3D scanning media, taking the data into 2D rather than printing the object, thereby pushing the technology back to haptic materiality; returning to the hand in a post-digital age. I'm interested in what is at stake with painting, shifting between fragmentation and states of completion. Images are deleted, layered and obscured, producing palimpsests; the image itself becomes a ruin.
Artist featured by Saatchi Art in a collection
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