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Germany
Painting, Oil on Soft (Yarn, Cotton, Fabric)
Size: 59 W x 58 H x 1.5 D in
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The original inspiration for this series of 5 abstract paintings originated from memory images of the mountains and landscape impressions during several journeys on Fuerte Ventura. During the painting process, thoughts lead back to the contemplation of colour and the idea of 'grey'. „ the inevitable is unknown or to discover conditions of obstinate layers” The colour grey is a threshold. Seems like dying. Seems like leaving colours behind. Inside the layers of grey, the colours have retreated. Pigments hide behind each tone of the variants in grey. Still, grey is actuality and presence. Grey has the potentiality of each and every existent colour. Grey is the movement between here and there, and unlike red, it is impossible to hold on to grey. Red has the clarity of being alone and thorough. But grey is as clear as mud, it escapes its definition. The colour grey refuses its name. Grey, because the surfaces allow the light to penetrate through indifferent layers in search for colours.
Original Created:2017
Subjects:Abstract
Materials:Soft (Yarn, Cotton, Fabric)Paper
Mediums:OilAcrylicEnvironmentalFabric
Painting:Oil on Soft (Yarn, Cotton, Fabric)
Original:One-of-a-kind Artwork
Size:59 W x 58 H x 1.5 D in
Frame:Not Framed
Ready to Hang:Not applicable
Packaging:Ships in a Crate
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a wooden crate for additional protection of heavy or oversized artworks. Crated works are subject to an $80 care and handling fee. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Germany
lives in Braunschweig, Germany Werftraum Atelier for Art and Performance Art works in Braunschweig, professional artist previous senior lecturer in London introducing performance art workshops, realising transitstation, international exhibition as Event since 2003, (www.transitstation.de). London 2003, Berlin 2005, Edinburgh 2006 and transitstation Copenhagen in 2010, collaboration with the Royal Danish Academy. The work negotiates the incomprehensible complexity when being surrounded by objects of sensory stimulation, and the attempt of grasping attention to any one source can often be accomplished only with great difficulty. The studio space is Werftraum (ship yard) and is associated with translucent and imagined spaces in the mind. The reflection of these locations appears to place and reflect gathered and experienced objects. They become the instruments, which participate in the orchestration of unexpected tunes. The fine-tuning is a crucial process which tends to present the ambiguity and where the work begins and ends remains purposely unresolved thus the potential of change and transition continues to take place. With the accumulation of its particular parts, one is forced to combine and relate certain meanings and presuppositions only to find that the bigger picture is hardly suggested and it stays fleeting, escaping the desire to make sense as a defined whole. The question governs my work. www.dagmar-glausnitzer-smith.com homepage www.werftraum.org art project online site www.transitstation.org art project/event site
Artist featured by Saatchi Art in a collection
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