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Germany
Painting, Acrylic on Canvas
Size: 39.4 W x 39.4 H x 1 D in
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The depicted: Prince Albert of Saxe-Coburg and Gotha / 1819 - 1861 At the age of 20, Albert married his cousin Victoria, Queen of the United Kingdom of Great Britain and Ireland. They had nine children. He supported public causes such as educational reforms and the worldwide abolition of slavery. Albert died at the age of just 42. Victoria fell into deep sorrow and wore black for the rest of her life. The artist: Anja Wülfing paints the historical portrait (after Winterhalter) in oil on canvas sewn together and adds abstract elements in acrylic, pencils and markers.
Painting:Acrylic on Canvas
Original:One-of-a-kind Artwork
Size:39.4 W x 39.4 H x 1 D in
Frame:Not Framed
Ready to Hang:No
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Artists are responsible for packaging and adhering to Saatchi Art’s packaging guidelines.
Ships From:Germany.
Customs:Shipments from Germany may experience delays due to country's regulations for exporting valuable artworks.
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Germany
Anja Wülfing hails from Cologne, Germany, where she currently lives and works. Her artistic practice centers on the exploration of contrasts and oppositions, which she attributes to the duality of her creative impulses - one drawn to the traditional forms of Baroque, Rococo, and Neoclassicism, and the other to the abstract styles of painting. Wülfing’s works are characterized by the harmonious fusion of opposing elements - figuration meets abstraction, tradition meets progression - achieved through the combination of different surfaces and painting techniques. By sewing together fine and coarse canvas fabrics and painting classic elements in oil and abstract ones with acrylics, pencils, and markers, the artist creates a unified whole out of seemingly disparate parts. In the composition and coloration of her works, Wülfing employs oppositional contrasts, such as light/dark, dynamic/static, strict/playful, and crowded/empty. Yet, she maintains a delicate balance between the two opposing elements, avoiding the dominance of one over the other. The styles seem to be competing for attention, but ultimately, they mutually benefit from each other’s presence. The painting process is planned and meticulous, with the artist referring to the tried and tested, the familiar, the slowly grown, the matured, and the old. The figures are painted in oil, while the free abstract elements are added with acrylic paint, pencils, and markers. By merging the expressive possibilities of modern painting with the timeless techniques of the old masters, Wülfing creates unique “frequencies” of attitude or mood through the interplay of shapes and colors.
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